Can the ‘Netflix For Textbooks’ Model Actually Improve Access?


Textbooks play a central position in discussions round increased ed affordability, and publishers have lengthy been forged as the villain, pulling in excessive income as textbook prices rise.

These days some publishers try a brand new gross sales mannequin they are saying will save college students cash: textbook subscription providers. The newest participant to leap in is Pearson, which launched Pearson Plus over the summer time as a “pay-as-you-go” different to conventional textbooks.

Subscribers to Pearson Plus pay $9.99 per thirty days for one entry to 1 digital textbook or $14.99 per thirty days to entry all of the greater than 1,500 titles on the firm’s platform, with every plan requiring a four-month minimal. Users additionally get entry to audiobook variations of their texts一available for about 60 % of titles一along with research guides and a reduction on a separate tutoring service for premium subscribers.

That pricing is available in barely decrease than an identical mannequin provided by Cengage, which prices $69.99 per semester for what it calls Cengage Unlimited, its full e-library, and one other $50 for entry to a associated homework system that professors usually assign with the textbook. A smaller writer with a subscription mannequin, Perlego, prices customers $18 month-to-month to be used of its textbook catalog with a reduced charge for many who purchase a year-long subscription up-front.

The mannequin has been known as a “Netflix for textbooks,” evaluating it to the in style subscription streaming service that has lengthy charged a flat month-to-month price for all of its content material. And textbook publishers making an attempt the method argue that it might save college students cash, supplied they’re assigned a couple of of the writer’s titles in any given semester. But the query of textbook subscriptions’ worth could also be extra difficult than the worth listed on the checkout web page.

Experts say maybe the largest change Pearson’s transfer represents is the continued squeezing of the secondary textbook market, the place college students recoup a few of their cash once they resell used books, however publishers don’t get a reduce in the resale. After all, college students can’t resell a digital guide that goes away after the semester ends. And the concern by industry-watchers is that in the future, publishers might increase costs even increased ought to the options of used textbooks at some point disappear fully from the panorama.

Changing With the Times

Cengage Unlimited was launched three years in the past as a extra reasonably priced textbook choice for college students, says Erin Joyner, senior vp of Cengage’s U.S. increased schooling product. Since then, the platform has grown to incorporate mushy talent guides on topics together with tips on how to enhance research expertise or tips on how to put together for the job market.

The transfer, she argues, tried to reply a name from the buyer for lower-priced choices. “It stands to reason,” she provides, “we have access to all of this material, why are we giving access to it piece by piece? How can it really have an impact on affordability?”

Digital textbooks generate way more knowledge than hardcopy textbooks ever might. With that, publishers see alternative for brand spanking new traces of income.

Kristie Gan, senior vp of Pearson’s direct-to-consumer enterprise, says the Pearson Plus mannequin was designed to make textbooks extra reasonably priced whereas staying aggressive with the different textbook shopping for avenues. Pearson Plus can all the time give college students the newest variations of their books, and offers customers one thing greater than a one-size-fits all platform, she says.

“We want to make sure that we build a relationship with the student so we can tailor the learning experience to the needs of the student,” Gan says. “We want to help them study better. I think we will be building out better study tools to help students in their learning journey. We need data to be able to do that.”

Meanwhile, when college students resell their books, Gan says, Pearson now not performs a job in the high quality of that have.

Out of (Market) Place

The subscription providers are trigger for concern to Nicole Allen, director of Open Education at Scholarly Publishing and Academic Resources Coalition. She notes that main publishers have provided digital textbooks for over 10 years however solely not too long ago launched subscription pricing.

“It allows them to basically eliminate the secondary market from the equation,” she says. “If you look at the prices, used book and rental prices are in many cases lower than renting a digital [book]. That’s why the all-access model is so significant一it takes that choice away from students.”

It’s straightforward to see why college students can be drawn to the month-to-month mannequin of textbook subscriptions, says C. Edward Watson, affiliate vp of Curricular and Pedagogical Innovation at the Association of American Colleges and Universities. The subscription method reduces the sticker shock of paying for books suddenly, and he can think about college students encouraging their professors to choose Pearson books if it might save them cash. But he says, don’t name it “Netflix for textbooks.”

“The fallacy is that Netflix is an entertainment venue,” Watson says. “Pearson touts having 1,500 textbooks, but I don’t think students are going to be just surfing around looking for entertainment from textbooks.”

Like Allen, he notes that the shift to digital textbooks means there’s no bodily copy for college students to promote or share with mates.

“That whole notion of resale sort of vanishes, which is probably part of the intention,” Watson says.

While publishers could also be delighted by the new insights they will achieve as their digital textbook platforms develop, Allen says there’s not sufficient dialog about what kind of data publishers needs to be licensed to gather.

“It changes the game when you’re just selling content versus when you’re selling content that can give you insight into the campus and individual students’ habits and lives,” Allen says. “When we think about algorithms that are making decisions for institutions about who is cheating on a test or who it thinks plagiarized, that impacts peoples’ lives.”

Katelynn Gilbert, a junior finding out psychology and English at the University of North Carolina, estimates that she has spent $350 on textbooks this 12 months. Her freshman 12 months totaled nearer to $500.

Textbook costs are on her thoughts fairly a bit as the chair of her college’s chapter of North Carolina Public Interest Research Group. As a part of its textbook affordability marketing campaign, she’s pushing for professors to undertake free or low-cost open academic sources relatively than pricier titles by conventional publishers.

“What we’ve really found is the problem is access codes,” she says, referring to the rising apply of professors assigning homework techniques from publishers that require each scholar to purchase a code to finish the primary work of a course. No scholar ought to should pay to do their homework.”

As for the additional bells and whistles publishers have added to their textbook platforms, Gilbert says these don’t normally issue into college students’ buying selections.

“Every single student I’ve talked to [cares] about cost,” Gilbert says. “I’ve never heard anyone try to compare features. While some features might sound cool, in the end, we have a limited budget to get what we need.”



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